“the turmoil of inconsequential lesser folds”

A recent class, working from the draped model, was an object lesson in the value of establishing a reliable framework.  Where the finer details of the drapery shifted and were lost each time the model moved.  

 With some adjustment throughout the day, the major folds of the drapery remained largely constant.  By prioritizing the dominant or commanding folds the basic structure of the drapery could be drawn, without the confusion which results from chasing the minor folds and more detailed effects.   Towards the end more attention was given to working up a focal point and strengthening the implied lines carrying the eye through the composition. 

 The added complexity of drapery underscored the need to work with a selective eye rather than the usual tendency to make a wholesale inventory and become thoroughly confused in the process.

 Deane G. Keller’s precisely worded suggestion say it all:

“For modeling, the basic objective is to mass in the larger areas of light and shade without the turmoil of inconsequential lesser folds.  Keep the major planes of the figure very much in mind all the while in order to manage the effect of the drapery in support of the rhythms of the figure.”